September 3–October 4, 2026
Ten Barn Farm
1142 CR-22, Ghent, NY 12075, United States
Ecstasy in the Barn
at Ten Barn Farm
Marc Adelman, Dan Devine Matthew Gilbert, Frederick Gladding Kahl, Henry Klimowicz, Thomas Lail, AJ Liberto, Gabriel Martinez, Brigitta Varadi
Opening Reception:
Thursday, September 3, 5–8PM
Open for viewing: Friday evenings / Sunday 9AM–2PM
Come enjoy their celebrated seasonal Ten Barn Kitchen cuisine while viewing
For the second Bill Arning Exhibitions project at Ten Barn Farm, Ecstasy in the Barn explores the enduring dream of finding liberation, communion, and transcendence within one of the Hudson Valley's most iconic spaces: the barn. Inspired by the communal experiments and back-to-the-land movements of the 1960s and 1970s, the exhibition examines the many ways people have sought connection through landscape, sex, creativity, spirituality, pleasure, and collective living.
The project is grounded in one of the Hudson Valley's enduring paradoxes. Farms have traditionally represented hard work, self-sufficiency, and often socially conservative values. Yet these same rural landscapes also became sites of counterculture, free love, spiritual experimentation, queer communities, artistic communes, and alternative ways of living—made possible by the privacy and freedom found far from cities and conventional career paths.
The participating artists will explore both the promises and contradictions of these utopian aspirations through works created or adapted for this singular environment, where art exists in dialogue with weather, animals, meals, performances, and the daily rhythms of farm life.
Featured Artists
Mark Adelman
Dan Devine
Matthew Gilbert
Frederick Gladding Kahl
Henry Klimowicz
Thomas Lail
AJ Liberto
Gabriel Martinez
Brigitta Varadi
Dan Devine, Milkmaid of Bourdeux, 2008, Color photograph, 37.5 x 27.5 in
Matthew Gilbert, Agitated Aftermath, 2026, Hand forged steel, 46 x 46 x 20 in
Thomas Lail, Untitled (Flag for R.L.), 2020/2026, Enamel and polymer on pallet wood, sandbags, 41 x 31 x 40 in
Frederick Gladding Kahl, Kayatibu (The Void), 2024, Cast glass from digital design, CNC carved graphite molds, wood, stainless steel, and 720 LEDs controlled by custom software, 60 x 60 x 6 in
Marc Adelman, Last Year I Used to Ride the J Church Line (After Thom Gunn), 2022, Found sheet metal embedded with concrete, vinyl, nylon, latex tubing, felt, bungee cord, tarp, zippers, plastic Walgreens bag, painter's tape, used JetBlue headphones, vintage ledger paper, vintage Fortune Magazine page tear, bubble wrap, pornographic poster, rubber-coated clothespins, and metal clamps, 64 x 27 x 8 in
Henry Klimowicz, Like a Lichen Large, 2020, Cardboard and hot glue, 42 x 42 x 42 in

